| Type | 7.1″ (18 cm) IPS capacitive touchscreen |
| Resolution | 1920 x 1200 325 ppi |
| Bit Depth | 10-bit (8-bit plus FRC) |
| Video Aspect Ratio | Native: 16:9 |
| Brightness | 1500 cd/m² |
| LUT Support | 3D LUT (.cube file format) |
Interface
| Inputs | 1 x HDMI (2.0) 4 x 3G-SDI Groped/Single 12G-SDI (BNC) – 1 x Genlock / LTC (BNC) 1 x 2.5 mm LANC 2 x XLR (included LEMO breakout cable required) |
| Outputs | 1 x HDMI (2.0) 1 x 12G-SDI (BNC) 2 x XLR Out (included LEMO breakout cable required) 1 x 3.5 mm headphone jack |
Supported Video Format
| Supported Signal | Input: 10- / 8-bit 4:2:2 (dependent on video source) Output: 10- / 8-bit 4:2:2 (dependent on video source) |
| Input/Output Resolutions | HDMI: 2160p 24/25/30/50/60 1080p 24/25/30/50/60/120/240 1080i 50/60 720p 50/60 SDI: 2160p 24/25/30/50/60 1080p 24/25/30/50/60/120 1080psf 24/25/30 1080i 50/60 720p 50/60 |
| Video Signal Conversion | HDMI to SDI: 2160p 24/25/30/50/60 1080p 24/25/30/50/60/100/120/ 1080i 50/60 720p 50/60 SDI to HDMI: 2160p 24/25/30/50/60 1080p 24/25/30/50/60/100/120 1080i 50/60 720p 50/60 |
| Encoding Formats | DCI RAW 4096×2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MKII, Canon C500): Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB UHD 4K (3840 x 2160): Apple ProRes HQ, 422, LT DNxHR HQX, HQ, SQ, LB 1920 x 1080 Apple ProRes HQ, 422, LT DNxHD 220x, 220, 145, 36 |
| Pulldown Conversion | 24/25/30psf to 24/25/30p (2:2 pulldown) 60i to 24p (3:2 pulldown) |
| Supported Codecs | Raw to ProRes/DNxHR Apple ProRes: HQ, 422, LT AVID DNxHR: HQX. HQ, SQ, LB Frame Rates 4K DCI / 4K UHD: 24/25/30/50/60p SF:30/50/60/100/120/200/240p Video to ProRes/DNxHR Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame Rates 4K DCI / 4K UHD: 24/25/30/50/60p SF:30/50/60/100/120/200/240p |
Supported Audio Formats
| HDMI | 2- or 8-channel, up to 24-bit (camera dependent) |
| SDI | Up to 12-channel, 48 kHz, up to 24-bit (camera dependent) |
| Dynamic Range | > 90 dB |
| Signal Level | Maximum: +24 dBu |
| Gain | Maximum Analog Gain: +52 dB |
| Phantom Power | +48 V phantom power for XLR inputs |
Remote Operation
| HDMI | Auto HDMI trigger Supported Protocols: Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| LANC | Supports slave configuration |
Recording Media
| Supported Media | 4K 2.5″ SSD HD High Frame Rate (50/60/120p): 2.5″ SSD 2.5″ HDD (7,200 rpm and up) for 1080p 50/60 HD (30p and less): 2.5″ SSD 2.5″ HDD (5,400 rpm and up) Note: Only use media that has been approved by Atomos |
| Master Caddy Dock | Interface: 2.5″ SATA to USB 2.0/3.0 |
| Supported Applications | Final Cut Pro X/7+ Avid Media Composer 5.0+ Adobe Premiere 5.5+ Grass Valley EDIUS 6.0+ Sony Vegas Pro 10+ Lightworks Autodesk Smoke 2015 |
| XML Support | FCPX XML native, FCP7 supported with conversion (Adobe compatible) |
General
| Power Requirements | 6.2 to 16.8 VDC (battery or DC power input) |
| Power Consumption | 10 to 24 W |
| Supported Battery Types | 2 x Sony L-series |
| Battery Life | 5200 mAh: up to 1.5 hours (monitor and record 4K) 7800 mAh: up to 2.2 hours (monitor and record 4K) |
| Construction | ABS polycarbonate |
| Dimensions | 8.4 x 5 x 1.8″ (21.4 x 12.7 x 4.5 cm) |
